By Lauren Halvorsen. In its second and final year, the Artistic Caucus aimed to integrate its collaborative model into the workflows and budgets of four theatres while providing freelance artists with access and compen Source link...
By Yura Sapi, Alex Meda. Alexandra Meda, founder of Culture Change Lab, discusses mediation and facilitation at various predominantly white organizations, and championing change work on the professional and individual leve Source link...
By . The 2025 Edwin Booth Award honors a person, company, or organization whose work bridges professional and academic theatre. Source link...
By . This year’s theme, What Sustains Us: Directing Beyond the Industry’s Limits, Cultivating a Joyful Practice, invites artists to reflect on and reimagine how to build sustainable, liberating, and joy Source link...
By Maridee Slater. Maridee Slater invites theatremakers to think beyond graduate school credentials and gatekeepers to preserve the embodied practices that allow us to see each other and collaborate across difference Source link...
By Yura Sapi, Nadia Garzón. Nadia Garzón, founder and executive director of Descolonizarte Teatro in Orlando, Florida, prioritizes a decolonial arts practice by uplifting Latinx, queer, and immigrant voices. Source link...
By Lizzie Rajchel. The creators of After, There Will Be Flowers want to shift the narratives of intimate partner violence from perpetration to healing. Source link...
By Sophie Pell. Pub theatres bring theatre to communities in the United Kingdom through the combined business model of a performance venue and pub. Source link...
By Yura Sapi, R. Réal Vargas Alanis. R. Source link...
By Joe LaRocca. This is a call for diversity, equity, and inclusion in pit orchestra hiring. Source link...
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