The Art of Playwriting from Personal Experience
By . Playwrights Corinna Schulenburg, Jason Tseng, Greg T. Source link...
By . Playwrights Corinna Schulenburg, Jason Tseng, Greg T. Source link...
By Kristin Marting. On 15 June 2026, TORCHES continues with a conversation with composer and performer Kamala Sankaram, who moves freely between the worlds of experimental music, sound installation, and contemporary o Source link...
By Nicole Brewer. The Consortium of Asian American Theaters & Artists (CAATA) welcomes Nicole Brewer, faculty at the David Geffen School of Drama at Yale and originator of the Antiracist Theatre model for a cand Source link...
By Nataki Garrett. Nataki Garrett reflects on the May Day activation that kicked off the Doris Duke Foundation’s Creative Labor, Creative Conditions campaign. Source link...
By handan salta, Caras Ionuț. How do you expose a country’s most shameful moments on stage in a way that excites the audience, instead of alienating them? Source link...
By JD Stokely. In October 2025, eighteen artists gathered in Maine for a weekend of sharing artistic practice as part of the MicroCosmos project. Source link...
By . This panel discussion explores the role of theatre artists in times of war, occupation, and state-sanctioned violence, in multiple contexts and locations around the globe, from Minneapolis to Pales Source link...
By Kimberly Senior. How can a director decenter themselves while still fulfilling the role of “director”? Source link...
By Kristin Marting. On 15 June 2026, TORCHES continues with a conversation with composer and performer Kamala Sankaram, who moves freely between the worlds of experimental music, sound installation, and contemporary o Source link...
By Ciaran Short. Zora Howard’s Hang Time demands a deep contemplation of empathy. Source link...
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