Prison Shows
By Jan Cohen-Cruz. In this episode, shows develop in the various workshops. The impact of making, performing, and being seen in multiple dimensions deepens interpersonal relationships and a sense of purpose. Source link...
By Jan Cohen-Cruz. In this episode, shows develop in the various workshops. The impact of making, performing, and being seen in multiple dimensions deepens interpersonal relationships and a sense of purpose. Source link...
By Kristin Marting. On 16 March 2026, TORCHES will continue with a conversation with critically acclaimed choreographer and performer Chanon Judson. Source link...
By Martin Boross, Tara Khozein. How do we actually share leadership and not use co-leadership as a metaphor or aspiration? Source link...
By . Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Source link...
By Bess Rowen. Bess Rowen reflects on two decades of exciting, experimental productions at the Provincetown Tennessee Williams Theater Festival. Source link...
By Kristin Marting. On 9 February 2026, TORCHES will continue with a conversation with the wildly inventive creative director, designer, advocate, and producer Clint Ramos. Source link...
By Tonderai Chiyindiko. Amid flareups of anti-immigrant sentiment in South Africa, The Last Country offers a much-needed platform for migrant voices. Source link...
By Jan Cohen-Cruz. In this episode, the intimacy of self and group expression brings loving relationships of all kinds into being-–deep friendships, Jan and Finn’s romance, familial feelings, and ancestral bonds–with Source link...
By . Featuring panels with Ira Weitzman (Lincoln Center Theater, Playwrights Horizons) as well as Cooper Howell (CATS: The Jellicle Ball) and Jonathan Kalb (Theatre for a New Audience) and performances Source link...
By Martin Boross, Tara Khozein, Suli Holum, Yury Urnov. How can ensemble training influence theatre culture and grow capacity? Source link...
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