By HowlRound Theatre Commons. Beginning in January, HowlRound Theatre Commons will operate independently and with new leadership, as co-founder and director Jamie Gahlon steps into an advisory role and Ramona Rose King&nbs Source link...
By Jamie Gahlon. Outgoing HowlRound director Jamie Gahlon reflects on fifteen years of commons-based learning, organizing, discourse, and gathering with HowlRound Theatre Commons. Source link...
By . Hear directly from the creators about what inspired them to write the plays, the creative process in bringing them to life, how they fit into the contemporary play landscape, and what we love about Source link...
By Shereen Saif. Mrichchakatikam (The Little Clay Cart) is known globally, but it had never been performed in Koodiyattam until this year. Shereen Saif reflects on G. Source link...
By Georgia "George" Evans, SB Tennent. Iranian Girlfriend explores the complex relationship between fact and fiction—a dynamic that played out in its journey from autobiographical essay to autofictional play. Source link...
By Ash Marinaccio, Camille Simone Thomas, Khristián Méndez Aguirre, Lyndsey Bourne, Phoebe Corde. Ash Marinaccio and the 2024-2025 Civilians R&D Group discuss investigative theatre, how artists blend research, interviews, and emotional truth to create new work. Source link...
By . Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Source link...
By . Behram Khan, set amid the brutal trenches of World War I, follows an Indian soldier in the Lahore Light Infantry who finds his faith in Islam and renounces violence. Source link...
By Jose Solís. Since 2020, the BIPOC Critics Lab has trained dozens of emerging critics in craft of criticism. Source link...
By Sayda Trujillo, Madeline Sayet. Source link...
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